Mastering 3D art is far from easy, but these incredible examples show what is possible if you’re willing to put in the hours and effort. Working in 3D adds extra depth and realism to an image that can be very hard to capture in 2D. If you’re on the long road to build up your skills, take a look at these artworks to inspire and guide you. We’ve also spoken to the artists to hear a little more about their workflow and design process.

The artists behind these images use a range of different tools take a look at our guide to the best 3D modelling software to find out what each one does (there are a coque michael jackson iphone 6 range of free tools included here, ideal if you’re just getting started).

(Image credit: Laura Keuk)This appetising image provided 3D student Laura Keuk with an opportunity to use shading and lighting to create a dreamy and peaceful atmosphere. She used coque samsung j5 2017 officielle Blender cloth simulation for the noodles, doing one noodle and then duplicating it, coque samsung galaxy j1.6 before simulating them just like clothing.

used displacement for the oil, she continues. spread the onion springs using a particle simulation with three different instanced meshes and shaders. I played with the scale and rotation to add more randomness to the coque iphone 6 manchester city elements. is inspired to create images like this by the ins and outs of daily life: love to watch all the simple things surrounding me and understand what makes it beautiful. It can just be a leaf on the ground, the way flower petals are arranged, the way light bounces off a piece of sugar, or just a cat walking. is a symbol of sharing, gathering and happiness in Keuk family, and she wanted to portray this in her Ramen coque iphone 6 plus belle image. As Keuk puts it: feeling I had when I was younger, the feelings food iphone 6 coque gold gave me, and a bit of a magical sensation, where the spectator could see that beauty can be from each thing surrounding us. The Golden Skull

(Image credit: Hirokazu Yokohara)To create this haunting image, CG director, art director and environment artist Hirokazu Yokohara used a variety of notable techniques. MECH/FY Procedural hard surfaces for Blender 2.8 were used to help create the finer details of the mech. addition, I tried using coque samsung galaxy tab a 10.1 2019 the real time renderer EEVEE experimentally, adds Yokohara. The grass coque crystal iphone 6 was made using Blender add on Graswald.

The image took about five days to complete and provided Yokohara with an opportunity to learn and experiment within Blender. He continues: to real time renderer EEVEE, I was able to finish the work quickly because I could proceed with modelling, layout and coque samsung galaxy y minions lighting while watching the final quality image. main tool is Cinema 4D, which he finds intuitive and easy to use. I am a CG generalist, he adds, study various tools and workflows daily and try coque samsung s5 assasin creed to output them as art. Yokohara has worked on various CG projects related to movies, from photorealistic characters to more stylised characters and environmental design. these things inspire me, he continues, artwork to everyday trivial events. The latest technology is also a huge source of inspiration. God Pan

(Image credit: Baolong Zhang)The biggest challenge that professional 3D artist Baolong Zhang faced on this project was creating the character photorealistic hair. got very curly hair that required a lot of attention, explains Zhang. accroche coque samsung used ZBrush FiberMesh to create the main volume of hair, then the smaller hairs were hand placed. The shorter facial furs were created with XGen in Maya. the project Zhang was inspired by the photography of Cristian Baitg Schreiweis, and he particularly enjoyed searching for further references. started searching for more references like Greek statues and paintings, he says. fun to put these together in 3D, especially with Unreal Engine 4. Elsewhere he finds inspiration in nature and classic art.

Finding an interesting subject is crucial to getting a good start on a project, according to Zhang: try to have a good idea of what it going to look like. As I not a concept artist, I don really have a final concept, but I have a lot of reference to follow. Game Buildings

(Image credit: Gustavo Henrique)This project from art director and motion designer Gustavo Henrique is a simple yet effective 3D design. constructions were modelled in a very simple way, Henrique explains. of my designs are simple but full of details, he continues. always try to work with geometric shapes and most of my models are made from a cube. I use the Bevel tool to leave the edges of the objects rounded and create the feeling that it something fluffy.

After modelling the scene, Henrique gets to work on the render settings using Octane Render. first step is to work on the camera settings. I get a bit of perspective using a 150mm focal length. I also increase the aperture of the lens to achieve a blur and give it the feel changer coque samsung s6 of a miniature.

Henrique gets inspiration from the feedback he receives from fellow artists:

inspires me most is to see people say that coque marshmello iphone 6 they are inspired by my projects. The feeling is incredible and the desire to keep on inspiring other people only increases. I believe recognition is very valuable to artists. Seahorse in the corals

This breathtakingly realistic image took CG generalist Nika Maisuradze just one week to complete. always wanted to work on an underwater scene, explains Maisuradze. was surprised to find that creating a realistic underwater creature, which always seemed like such a challenge before, could be done with such ease and joy. project, however, was not without its challenges as Maisuradze explains: a technical standpoint the biggest challenge was the shading. Instead of painting all my textures, I just painted the main aspects of textures I would need: the main base colour, small horizontal details, masks of each part of the horse, coque samsung j3 2017 nike rouge nose, body, tail, and these tiny blue dots. Instead of repainting textures, I just adjusted them with these detail textures in the shading process, on the fly. For coque samsung j5 2017 tokyo ghoul these kind of projects this workflow is much more robust. Dear Fabricio

took me around three and a half days to create the whole piece from concept to final product, says freelance director, CG supervisor and 3D artist Pedro Conti. This endearing image was a gift for his wife when she was pregnant with their son. The sculptures were based on their ultrasound photos and a little plush monkey from Conti childhood.

Conti has 13 years of industry experience to draw from on personal projects like this: ran a company called Techno Image for seven years, he reveals. More recently he has worked on Disney Moana and currently freelances for companies like Dreamworks, Universal Studios and Aardman.

spent more time thinking about colours, layout and composition than on fancy 3D techniques with this image, explains Conti. felt I should go back to the principles of design and learn more about traditional techniques such as photography, design and Gestalt Theory. If you understand coque samsung 6 edge stitch those aspects of art you will find a way to make it work in 3D. There a Pulse!

like experimenting in ZBrush, says concept artist and comic book colourist Neeraj Menon. designer is something new I playing with. I do a lot of digital painting so both software come in handy for initial ideas. the majority of coque samsung j5 clapet my time was taken up sculpting the underlying model, I think the most significant part was creating the cloth in Marvellous Designer, he explains. actual design is simple, it’s just a sheet of cloth. The real challenge was to lay it just right, hiding certain parts and showing others. being a challenge at times, Menon maintains that the experience was an enjoyable one. He concludes: most fun part came during the materials and rendering phase. coque samsung galaxy s3 louis vuitton Once the translucency of the cloth was applied, what I had seen in my mind really became a reality. Everything fell into place. On the coque samsung tab a 2019 Road to Nowhere

This insanely adorable little alien monster pilot was coque samsung galaxy s7 swag created by Mohamed Chahin in Blender, before rendering in Cycles. Chahin says that when it comes to 3D art, he’s most inspired by stories.

“As artists it’s our job to tell these stories in a more visual manner,” he says. “After all, all artists are storytellers.” It’s certainly fun to imagine just what this lovable little critter could be getting up to as he flies around in his orange aircraft.

09. The Forest

When lighting artist Joannie Leblanc created this beautiful woodland scene, she knew just how important it was to use lighting effectively double coque samsung to produce the mood she desired.

“Lighting is not just about light and shadows,” she explains. “You need to think about what people will focus on in your art to grasp their attention. Contrast, depth, colours and rhythm will help the etsy coque samsung s5 eyes travel in your picture like a flow, letting the viewers immerse themselves into your world.”

10. Somerset Isle

Somerset Isle is a real time environment rendered with Unreal Engine. “The composition and lookdev is heavily based on the amazing concept works from Chong FeiGiap (Running Snail Studio),” explains environment artist Tomer Meltser of his image, “while many of the design and structure ideas in the environment (boats, architecture) are based on images of Chew Jetty (Malaysia) and other waterfront towns of this nature.”

11. Aghori Portrait

It’s hard to believe that Aldo Mart Calzadilla’s 3D art, Aghori Portrait, created using ZBrush, Maya and Mari, only took two weeks to finish. “I try to work as fast as possible,” he explains. “In my experience, moments of inspiration don’t last too long, so I try to go through coque samsung galaxy chanel the process of creating an image as efficiently as I can.”

The meticulous groundwork of modelling and sculpting was his favourite part of the project. “I coque samsung galaxy a5 licorne knew that in order to do a good job with the Aghori, the forms and anatomy had to be good and accurate to the reference,” he reveals…